Post by alika on Sept 12, 2015 2:29:32 GMT
1. Bara
- "Bara," said Mincon to Tula.
"Bara," said I to Feiqua. Both slaves went immediately to their bellies, their heads to the left, their wrists crossed behind their backs, their ankles also crossed.
It is a common binding position. We did not bother to bind them, however.
It was enough that they lay there in this position.
"Mercenaries of Gor"
Hearing the command of the guard, the petite girl laid on the floor on her soft belly turning her head to the left. She shivered in the night as she placed her hands behind her back, crossing her small wrists. Alika placed her limber ankles together crossing them as well. She stayed silent as she was bound up by hands and feet. She hears him leave and lays there, alone in the night.
2. Blanket
- "I then threw the second blanket, the top blanket over her, covering her completely. When a blanket, or cloak, or covering of any sort, is thrown over a slave like this she may not speak or rise. She must remain as she is, silent, until the master , or some free man, lifts the covering away."
"Explorers of Gor"
The blanket fell atop of her and she stayed in her towering position as she had been before. Alika didn't speak and uncomfortably knelt. She tried to make her small movements as least noticeable as possible until the blanket would be removed.
3. Bracelets
- "He had removed a pair of light bracelets, joined by about five inches of light chain, from his pouch. "Slave bracelets," he said. "Turn around, facing the door, your hands behind your back." "Kajira of Gor"
She quickly placed her hands at the small of her back at her command. She lifted her head a bit in the air and awaited the slave bracelets to be placed on her dainty hands.
4. Display
- "Assume the standard position for the examination of a standing slave," said Portus Canio.
Ellen, in her tunic, puzzled, stood then before him, her legs widely, painfully spread. The split hems of the tunic, slit at the sides, permitted this position. Ellen clasped her hands behind the back of her head, and held her head up and back, in this position looking rather at the height of the great portal, leading into the barn area, from the platform outside. In this position it is convenient to examine the slave. She cannot easily move without losing her balance. The position of her hands prevents her from interfering with the examination. The raised head, held back, makes it difficult for her to know, or guess, the position of the examiner's hands, where they are, and what they might do, for example, how and when she might be touched, caressed, or tested. Needless to say, this position is normally assumed when the slave is nude.
"
"Prize of Gor"
Alika stands before her Mistress and parts her limber legs just a bit. Standing straight and tall she arches the small of her back and lifts her narrow neck so that her head is raised and held back. Her taut arms are bent at the elbow and her arms rest on the back of her head. She stands in place anxious about being inspected.
5. Submission
- "Step before me naked," said Rask of Treve.
I did so.
We faced one another, not speaking, he with his blade, and in his leather, I with nothing, stripped at his command.
"Submit," he said.
I could not disobey him.
I fell to my knees before him, resting on my heels, extending my arms to him, wrists crossed, as though for binding, my head lowered, between my arms.
I spoke in a clear voice. "I, Miss Elinor Brinton, of New York City, to the Warrior, Rask, of the High City of Treve, herewith submit myself as a slave girl. At his hands I accept my life and my name, declaring myself his to do with as he pleases."
"Captive of Gor"
The girl knelt in front of the woman and lowered her head. She crossed her arms above her head and with a trembling voice she stated that she submits.
6. Leasha
- He approached the slave and indicated that she should stand. He then said, very sharply, "Lesha!"
Instantly the girl turned away from him, lifted her head, turned it to the left, and placed her small wrists, crossed, behind her back.
"Swordsmen of Gor"
She turned away from her Mistress and lifted her head so that she may be leashed. Alika also placed her tiny hands crossed behind her back in case they were to be braceleted.
7. Nadu
- "Nadu!" said Tajima, sharply.
The girl struggled to nadu, kneeling back on her heels, her head up, her back straight, the palms of her hands down on her thighs. She did not make eye contact with any of the free men, but kept her gaze forward.
It is a beautiful position.
"Split your knees," said Tajima.
"No!" said Pertinax.
"Now!" said Tajima.
The girl spread her knees.
"Wider!" said Tajima. She was, after all, a collar-girl.
The former Miss Wentworth complied, quickly, docilely, with Tajima's command. She had learned obedience to men, slave obedience, in the stable, at the hands of the grooms.
"Please!" protested Pertinax.
"Stay as you are," cautioned Tajima.
The slave remained in the adjusted nadu, as directed. It was a common form of nadu, one almost invariably expected of a particular sort of slave, the pleasure slave.
"Swordsmen of Gor"
Alika lowered herself to the ground and knelt carefully. She spread her legs wide and sets her back straight looking forward. She arches her back and stays waiting.
8. Obeisance (3)
-
"There are many ways to perform obeisance. "I said. "I am a free woman," she said, " I know none of them." "I shall instruct you briefly in three," I said. " First kneel before me , back on your heels, yes, with your knees wide, wider, your hands on your thighs, your back straight, your breasts out, good, your belly in, good, and now lower your head in deference, in submission." "Now that," I said, " may not be exactly a form of obeisance, for authorities do not all agree, but for our purposes we shall count it as one. It is, at any rate, a beautiful position, and it is, certainly, a common position of slave submission." "Now" I said, " and this is clearly a form of obeisance, bend forward and put your head to the mat, the palms of your hands on the mat. Good. Now lift your head little and come forward, substantially keeping the position. Forward a little more." "But then my face will be at your feet," she said," My lips will be over them!" "Yes," I said, "Good, now, put your head down and lick and kiss my feet." "I am a free Woman!" She Said. "You are a woman," I said," now softly lingeringly, and lovingly, Good." "I am not a slave," she said "All women are slaves, "I said " Imagine what this would be like if you were truly a collared slave." She gasped. "Now" I said, "for a third form of obeisance. You may belly to me." "I do not understand," she whispered. "There are various forms of bellying, " I said, and bellying may be suitably and pleasingly combined with other forms of floor movements, approaching the Master on all fours, turning to your sides and back, writhing before him, and so on. We will take a very simple variation, suitable for an ignorant free female who has not yet even begun to discover the depths of her sexuality." She looked up at me. "On your belly," I said. She backed off a bit , and went to her belly. her hair was before her face, as she now on her belly before me looked up at me. "Now inch forward," I said, " remaining low on your belly, and when you reach my feet, once again, as before, lifting your head a little, tenderly and humbly, and beautifully, as though you were a slave, lick and kiss them. Good. Good. Now take my foot and place it gently on your head. Very good. Now place it again on the Mat, and kiss it again. Good. You may now belly back a little, humbly. I have not yet given you permission to rise of course."
"Mercenaries of Gor"
Alika knelt on the floor as her owner entered the room. She lowered her head and onto her belly, inching her head to her Mistress' foot. Her shinny hair falls around her face as she kisses and licks her foot. She then lifted her foot and placed it on her head. After she had removed her foot from her head, the slave girl kissed and licked her owner's foot again before inching back and staying on her belly until told she can rise.
9. Prostrate
- "i knelt before the guest, putting the palms of my hands on the floor and my head to the tiles."
"Kajira of Gor"
She knelt on the floor and placed her forehead down until it touched the floor. Stretching her ass up and her arms outstretched in front of her.
10. Tower- "Your knees!" said the Lady Bina.
"Mistress?" said the slave.
"Should they not be spread?"
"She is in the presence of a free woman," said Cabot. "It is thus appropriate that she kneels in the Tower position."
"Kur of Gor"
She knelt on the floor with her back straight and her legs tightly together. She crossed her arms in her lap and stayed still frightened in front of the free woman.
- "Bara," said Mincon to Tula.
"Bara," said I to Feiqua. Both slaves went immediately to their bellies, their heads to the left, their wrists crossed behind their backs, their ankles also crossed.
It is a common binding position. We did not bother to bind them, however.
It was enough that they lay there in this position.
"Mercenaries of Gor"
Hearing the command of the guard, the petite girl laid on the floor on her soft belly turning her head to the left. She shivered in the night as she placed her hands behind her back, crossing her small wrists. Alika placed her limber ankles together crossing them as well. She stayed silent as she was bound up by hands and feet. She hears him leave and lays there, alone in the night.
2. Blanket
- "I then threw the second blanket, the top blanket over her, covering her completely. When a blanket, or cloak, or covering of any sort, is thrown over a slave like this she may not speak or rise. She must remain as she is, silent, until the master , or some free man, lifts the covering away."
"Explorers of Gor"
The blanket fell atop of her and she stayed in her towering position as she had been before. Alika didn't speak and uncomfortably knelt. She tried to make her small movements as least noticeable as possible until the blanket would be removed.
3. Bracelets
- "He had removed a pair of light bracelets, joined by about five inches of light chain, from his pouch. "Slave bracelets," he said. "Turn around, facing the door, your hands behind your back." "Kajira of Gor"
She quickly placed her hands at the small of her back at her command. She lifted her head a bit in the air and awaited the slave bracelets to be placed on her dainty hands.
4. Display
- "Assume the standard position for the examination of a standing slave," said Portus Canio.
Ellen, in her tunic, puzzled, stood then before him, her legs widely, painfully spread. The split hems of the tunic, slit at the sides, permitted this position. Ellen clasped her hands behind the back of her head, and held her head up and back, in this position looking rather at the height of the great portal, leading into the barn area, from the platform outside. In this position it is convenient to examine the slave. She cannot easily move without losing her balance. The position of her hands prevents her from interfering with the examination. The raised head, held back, makes it difficult for her to know, or guess, the position of the examiner's hands, where they are, and what they might do, for example, how and when she might be touched, caressed, or tested. Needless to say, this position is normally assumed when the slave is nude.
"
"Prize of Gor"
Alika stands before her Mistress and parts her limber legs just a bit. Standing straight and tall she arches the small of her back and lifts her narrow neck so that her head is raised and held back. Her taut arms are bent at the elbow and her arms rest on the back of her head. She stands in place anxious about being inspected.
5. Submission
- "Step before me naked," said Rask of Treve.
I did so.
We faced one another, not speaking, he with his blade, and in his leather, I with nothing, stripped at his command.
"Submit," he said.
I could not disobey him.
I fell to my knees before him, resting on my heels, extending my arms to him, wrists crossed, as though for binding, my head lowered, between my arms.
I spoke in a clear voice. "I, Miss Elinor Brinton, of New York City, to the Warrior, Rask, of the High City of Treve, herewith submit myself as a slave girl. At his hands I accept my life and my name, declaring myself his to do with as he pleases."
"Captive of Gor"
The girl knelt in front of the woman and lowered her head. She crossed her arms above her head and with a trembling voice she stated that she submits.
6. Leasha
- He approached the slave and indicated that she should stand. He then said, very sharply, "Lesha!"
Instantly the girl turned away from him, lifted her head, turned it to the left, and placed her small wrists, crossed, behind her back.
"Swordsmen of Gor"
She turned away from her Mistress and lifted her head so that she may be leashed. Alika also placed her tiny hands crossed behind her back in case they were to be braceleted.
7. Nadu
- "Nadu!" said Tajima, sharply.
The girl struggled to nadu, kneeling back on her heels, her head up, her back straight, the palms of her hands down on her thighs. She did not make eye contact with any of the free men, but kept her gaze forward.
It is a beautiful position.
"Split your knees," said Tajima.
"No!" said Pertinax.
"Now!" said Tajima.
The girl spread her knees.
"Wider!" said Tajima. She was, after all, a collar-girl.
The former Miss Wentworth complied, quickly, docilely, with Tajima's command. She had learned obedience to men, slave obedience, in the stable, at the hands of the grooms.
"Please!" protested Pertinax.
"Stay as you are," cautioned Tajima.
The slave remained in the adjusted nadu, as directed. It was a common form of nadu, one almost invariably expected of a particular sort of slave, the pleasure slave.
"Swordsmen of Gor"
Alika lowered herself to the ground and knelt carefully. She spread her legs wide and sets her back straight looking forward. She arches her back and stays waiting.
8. Obeisance (3)
-
"There are many ways to perform obeisance. "I said. "I am a free woman," she said, " I know none of them." "I shall instruct you briefly in three," I said. " First kneel before me , back on your heels, yes, with your knees wide, wider, your hands on your thighs, your back straight, your breasts out, good, your belly in, good, and now lower your head in deference, in submission." "Now that," I said, " may not be exactly a form of obeisance, for authorities do not all agree, but for our purposes we shall count it as one. It is, at any rate, a beautiful position, and it is, certainly, a common position of slave submission." "Now" I said, " and this is clearly a form of obeisance, bend forward and put your head to the mat, the palms of your hands on the mat. Good. Now lift your head little and come forward, substantially keeping the position. Forward a little more." "But then my face will be at your feet," she said," My lips will be over them!" "Yes," I said, "Good, now, put your head down and lick and kiss my feet." "I am a free Woman!" She Said. "You are a woman," I said," now softly lingeringly, and lovingly, Good." "I am not a slave," she said "All women are slaves, "I said " Imagine what this would be like if you were truly a collared slave." She gasped. "Now" I said, "for a third form of obeisance. You may belly to me." "I do not understand," she whispered. "There are various forms of bellying, " I said, and bellying may be suitably and pleasingly combined with other forms of floor movements, approaching the Master on all fours, turning to your sides and back, writhing before him, and so on. We will take a very simple variation, suitable for an ignorant free female who has not yet even begun to discover the depths of her sexuality." She looked up at me. "On your belly," I said. She backed off a bit , and went to her belly. her hair was before her face, as she now on her belly before me looked up at me. "Now inch forward," I said, " remaining low on your belly, and when you reach my feet, once again, as before, lifting your head a little, tenderly and humbly, and beautifully, as though you were a slave, lick and kiss them. Good. Good. Now take my foot and place it gently on your head. Very good. Now place it again on the Mat, and kiss it again. Good. You may now belly back a little, humbly. I have not yet given you permission to rise of course."
"Mercenaries of Gor"
Alika knelt on the floor as her owner entered the room. She lowered her head and onto her belly, inching her head to her Mistress' foot. Her shinny hair falls around her face as she kisses and licks her foot. She then lifted her foot and placed it on her head. After she had removed her foot from her head, the slave girl kissed and licked her owner's foot again before inching back and staying on her belly until told she can rise.
9. Prostrate
- "i knelt before the guest, putting the palms of my hands on the floor and my head to the tiles."
"Kajira of Gor"
She knelt on the floor and placed her forehead down until it touched the floor. Stretching her ass up and her arms outstretched in front of her.
10. Tower- "Your knees!" said the Lady Bina.
"Mistress?" said the slave.
"Should they not be spread?"
"She is in the presence of a free woman," said Cabot. "It is thus appropriate that she kneels in the Tower position."
"Kur of Gor"
She knelt on the floor with her back straight and her legs tightly together. She crossed her arms in her lap and stayed still frightened in front of the free woman.
